Iranian Poets
Siavash Kasraei
Siavash Kasraei was a poet, writer, critic, painter and one of the founders of the Iranian Writers Association.
Collection of works and poems of Siavash Kasraei
Ava (1336)
Arash Kamangir (1338)
Blood of Siavash (1341)
Stone and Dew (1345)
with Damavand silent (1345)
From Qargh to Khoroskhan (1357)
Ax chips (1362)
Dawn Stars (1368)
Red bead (1374)
Siavash Kasarai, the singer of Arash Kamangir’s verse, is Nimai’s first epic poem. He was one of Nima Yoshij’s students who remained loyal to his style of poetry. Among the collection of surviving poems by Siavash Kasraei, we can mention the collection of poems Ava, Mehreh Red, In the Air of the Chicken, Amen, Gift for the Soil, Chips of the Ax, Home, with Silent Damavand and Siavash’s Blood.
Kasraei is a poet who deals with modernism in different fields and because he is considered a romanticist, he was able to link both individual and social trends to the new type of aesthetics.
The basis of his poems are expressions of imagination, love, nostalgia, as well as inspiration from mythology and idealism, which are combinations of the above two tendencies.
Resources
Kasraei, Siavash. 1382 c. Red bead Vienna: Kara, 1374. Reprinted, Tehran: Ketab Nader.
Abedi, Kamiar. 1379. The Great Shepherd of Hope: Review of the life and works of Siavash Kasraei. Tehran: Nader book.
Shafii Kodkani, Mohammad Reza. (1383). Periods of Persian poetry from constitutionalism to the fall of the monarchy. Tehran: Sokhn.
Brahni, Reza (1380). Gold in copper (in poetry). Tehran: Zaryab.
Iranian Poets
Forough Farrokhzad
Forough Farrokhzad (8 January 1313 – 24 February 1345) is an Iranian poet and documentary maker.
A collection of poems
1331 – Asir, including 43 poems
1335 – The wall, including 25 poems
1336 – Rebellion, including 17 poems
1341 – another birth, including 35 poems
1342 – Let’s believe in the beginning of the cold season
The style of Forough Farrokhzad’s poems
The discovery of new worlds with new dimensions of Forough Farrokhzad’s face makes him a universal human being and brings his poetry to the desired perfection. Farrokhzad published five books of poetry during his lifetime. Little by little, Forough got close to the world of Nimai’s poetry and put his poetry in the stage of evolution and drew him towards humane and thoughtful poetry, and at this time he wrote collections called “Captive, Divar and Asian” in the style of Nimai’s poetry.
In general, it can be said that Forough Farrokhzad influenced new Persian poetry with his innovation in style and theme and established his position as an outstanding poet in contemporary Iranian literature. Although Forough had a short life, he died at the age of 32 due to a car overturn.
Resources
Forough Farrokhzad- Shahnaz Moradi Kochi’s autobiography book – Ghatre publishing house
Forough Farrokhzad, The first romantic beats of my heart, translation, Marwarid Publications, 1393
Turabi, Ziauddin (1375). another forughi; A new look at Forough Farrokhzad’s poems. Tehran: New World Publication
The book I am nothing but the echo of a song: a philosophical reflection on Jahan Forough’s poetry and life, Mohammad Reza Vaez Shahrashtani, Negh Masares Publishing House
eza (1380). Gold in copper (in poetry). Tehran: Zaryab.
Iranian poets
Nosrat Rahmani (1379-1308) was one of the pioneers of the black romanticism poetry movement in contemporary Iran and one of the disillusioned intellectuals after the 28th August 2013 coup.
Nusrat Rahmani can be considered a poet who wrote social poetry based on romantic style. In fact, his style can be considered similar to the socialist romantic. Perhaps the most important reason for this social aspect of Nusrat Rahmani’s poems was the coup d’état on August 28, 1332, and the consequences and conditions of the society after that. During this period, all the intellectuals were under spiritual and political pressure. The poets of this period, who were from the generation of Nima Yoshiji, tried to write their thoughts in the form of symbolic poetry and in a mysterious way. They included their own situations and the society in their poetry, and perhaps that was the reason why most of the poems of this period are sad and dark poems.
Poetry notebooks
Koch (1333)
Desert (1334)
Cashew (1349)
Miad in the mud (1346)
Wind Fire (1349)
The reputation of love (1381)
and other collections
Novel: The Man Who Was Lost in the Dust (1338)
Nusrat Rahmani with a suitable skill, language
He used the street for poetry and it has multiple visual, emotional and musical abilities.
This type of language was not used at all and thus allowed the entry of a large volume of vocabulary.
They were left abandoned, they were exported to the realm of poetry.
The most prominent literary feature of Nusrat’s poems is “diagnosis” which has a high frequency. in poetry
Nusrat is less of a creature that does not have life. His characteristics, actions, and emotions
He attributes human beings to elements and inanimate beings, and also the paradoxical structures that show the inner contradiction of Nusrat, in his poems, are subject to the concepts of creation that govern the possibilities of discourse and the chaotic rules of his era.
Nusrat Rahmani, like many poets who had romantic tendencies, first wrote poems with individual tendencies and with themes such as love, but he was influenced by political and social events, so he put these themes aside and focused his poetry on human values and people’s issues. diverted Perhaps it is for this reason that when comparing Nusrat Rahmani’s poems in different times, we can witness many contradictions and contradictions, including general ideology and… Nusrat’s poetic path started with Ghazal and then reached Chaharpare and Nimai’s poetry.
Another theme that always exists from the beginning to the end of Nosrat Rahmani’s poetry is the theme of death and sadness. This longing for death and ongoing sadness in Nosrat Rahmani’s poems has philosophical, political and social roots that were created under the influence of his era. After the 1332 coup, Nusrat Rahmani also made many changes in his poetry. Symbolism can be clearly seen in his works. It was during this period that he paid attention to new poetry and even experienced new epic poetry.
Sources:
Culture of Contemporary Persian Literature, Vision of Contemporary Iranian Poetry
“Nosrat Rahmani’s” collection of poems, published by Negah About Nosrat Rahmani; Behzad Khojat
Iranian poets
Mahdi Akhwan Sales
Mahdi Akhwan sales (March 10, 1306 – September 4, 1369) named after M. Omid is a famous poet, writer and contemporary innovator.
The role of Akhwan in stabilizing poetry
Akhwan, after meeting Nima Yoshij
He turned to Nosraei and was able to incorporate Nimai’s poetry in an innovative way in the structure of his compositions, which he himself had a new and independent style.
Collection of notebooks
Winter (Time Publications) 1335
The end of the Shahnameh (time) 1338
From this Avesta (Pearl Publications) 1344
Manzumah Shekar (Pearl) 1345
Paiz in prison (Marvarid) 1348
In the small autumn yard in the prison, 1355
Mehdi Akhwan Thalath started his work in Khorasani style. Although he was born in Khorasan and fond of the heritage of ancient Persian literature, he soon found Nima’s way and as one of his most loyal companions with the publication of the “Zamestan” collection in 1335, he showed that he had achieved a new form of epic and social poetry and in the collection “Akher Shahnameh” showed his poetry and poetic spirit in the last years of his life. The solidity and heaviness of Khorasani’s poetry, his literary language, and in general, his rich allegory of old epic and mythological references and traditions, and the Brotherhood’s special interest in epic language and Ferdowsi’s thought, distinguish his poetic style.
The Akhwan’s inspiration from ancient poems and epic style, as well as Nimai’s style of poetry and the Akhwan’s mourning for the past, provided a special collection of the structure of his poems, which left an original impression on the contemporaries of the Akhwan and the generations after him. The semantic link between the elements of Nimai’s poem strengthened his poem.
By using the poetry of ancient poets as well as formal and verbal techniques, the rhetoric technique, the Brotherhood wrote their poems in a simple language in the form of new poetry and embedded human and global issues in them.
His art has been to give meaning to all the unbalanced elements, the speed of movement of the structure of the Akhwan’s poem on the epic and the compatibility of its content with Nimai’s style, actually determine the main coordinates of the worldview of the Akhwan.
Resources
Mehdi Akhvan the Third, Nimayoshij’s heresies and heresies, Toka Publishing House, Tehran, 1st edition 1357
Today’s art and literature, Shamlou Brahani, Nasser Hariri
Kimia and Khak, Nashermorgh Amin, 1364
Poetry and Knowledge, Ziyamo
had, Marwarid Publications, 1377
Iranian Poets
Ahmed Shamlou (A. Bammad)
is one of the distinguished and influential figures in the field of literature and culture.
It is considered Iran.
Shamlu during his several years of life in addition to poetry collections
that he left behind, he has done extensive research on public culture, which he
He has collected the book “Koche”. He also translated literature and other cultures
Different nations entered and translated Fakheri’s works into Persian language. One of the most important
Ahmed Shamlou’s works in the field of literature define and explain the white form in poetry. break up
From the special form and format that Shamlu put forward in contemporary poetry, Hakem’s thought and thinking on poems
He also deserves attention. “His poem is the story of affection, despair and hope, love and hatred, sadness and
Happiness is pain and hesitation and attack and escape.
poetry notebooks;
۲۳ Resolutions – irons and feeling – fresh air – mirror garden – Aida in the mirror – moments and always
Aida: Tree and Dagger and Memory – Phoenix in the Rain – Lamentations of the Soil – Blooming of the Derma – Abraham in the Fire – Dashneh in the Dis – Little Songs of Homelessness – Unbelievable, Ah! (which has not yet been published)
Stories:
Under the burning night
The gates of the Great Wall of China
Death is my business (Ruber Merle)
Poems and stories for children: The story of Nene Darya’s daughters – The story of the Gate of Fortune – The Queen of Shadows
Shalom and Sahabi style in Shaarnoo (Shaarspide)
Ahmed Shamlou is one of the few poets whose poems are from different linguistic layers
It has a special expression and meaning. So that by studying his poems with characteristics and
We come across certain coordinates that are not seen in the poems of other contemporary poets.
Taking advantage of the potentials of the epic and ancient Iranian language in his poems, taking advantage of the capacities
colloquial language, turning to simple writing in the style of European poets, defining and explaining the format
In the field of poetry, on the one hand, Sepid has caused his poetry to be different in terms of form and structure.
to be distinguished and highlighted, on the other hand, along with the shape and format of his thoughts and thoughts that govern his poems
It is also worthy of attention. Dealing with various issues and topics that affect the life of Iranian people in a way
It is tied to it
Ahmed Shamlou (A. Bammad) is considered one of the important and influential poets of contemporary Persian poetry.
It will be He has researched and written many works in various fields of Iranian culture and literature
It has been edited. It is clear that the role of fame and credibility of Asli (A. Bamdad) in his poetry is due to his creativity.
style and language and attention to social and human issues. Review of garlic
The research of the article shows that at the beginning, Shamlu’s name was mentioned less among the critics
But later on, with the formation of a special style (A. Bammad) in poetry, strengthening and coherence of the structure and meaning.
His poems, tendency towards leftist and libertarian ideas and active presence in circles and gatherings.
Iran’s intellectuals, Shamlu’s name is on everyone’s lips. The mentioned factors have caused the researches
More should be written with the aim of analyzing and examining the poet’s poems and personality.
Sources of Reza Brahani’s chemistry
Today’s art, literature, including Shamlu and Brahani
Romances, Hirmand Publications, Niazi Aqobshahi_1373
Brahni-Reza 2018, Taladar Mes/Zariab Publications
Analytical history of Shaarnou’s legitimacy of Takudata (1284-1332)
Examining and analyzing criticisms related to the poetry of Ahmad Shamlou, Balal Farzad
A quarterly scientific research journal of the Persian literary language
Mokhtari, Muhammad/Insan in contemporary poetry, Tous Publications, first edition 1372
Iranian Poets
Hoshang irani
Hoshang Irani (1304 – ۱۴ Shahrivar 1352) was a leading contemporary poet, translator, and journalist, one of the pioneers of Persian surreal poetry and one of the first poets of prose poetry in Iran. other; Jalil Ziapour, Hassan Shirvani and Gholamhossein Gharib, with less than 40 poems and several articles, was able to be one of the pioneers of revolution in Iranian poetry and had a significant impact on the poetry of Sohrab Sepehari, Yadullah Royai, Ahmadreza Ahmadi and the new wave poetry.
Hoshang Irani was the most reckless and innovative poet of the late 1320s and the first years of the 1330s and the first herald of surrealism in Iranian poetry.
Collection of poetry books
Intense violet on gray: some poems, Tehran (publisher of the author), Shahrivar 1330
Gray: A Few More Poems, Tehran
(publisher of the author), Khordad 1331
A flame caught the curtain and Iblis came in: And again some poems, Tehran: (author’s publisher), November 1331
Now I’m thinking of you, I’m thinking of you, Tehran: [Bina], December 1334
Hoshang Irani is one of the most brilliant failed faces of Persian poetry. He was the first prose poet whose poetry was not influenced by Nima. Hoshang Irani along with Shamsuddin Tander-Kia and later Bijan Jalali were poets who started to innovate without knowing about Nima Yoshij’s work.
Apart from its qualitative value, his poetry had a different look at the inherent nature of this art. In his poetry, there is no mention of Nima’s naturalism, nor the idealism and politicization of many other poets. In terms of aesthetics, his aesthetics does not rely on the duality of good and bad, black and white, etc.; And this is the special feature of his poetry in the concept, which is rarely seen in the works of others.
Bringing poetry closer to prose, and removing the distinction between these two literary genres, was one of the main tricks in Hoshang’s Iranian poetry, which turned into a very natural and ordinary event a few decades later, but in the years 1330 and 1331, it was considered a bold literary revolution. It would be..
Resources
Gallery: From the collection of designs of the book “Chand Desan”, Tehran: [Bina], Ardibehesht 1331
The book “Purple Scream” is a selection of poems by Hoshang Irani, Mohammad Azram (2014)
A collection of poems and thoughts of Hoshang Irani
The book “From the bright blue…) 1330
Three speeches about Hoshang Irani, Mohammad Azram and Mehdi Atefi Rad, 20 December 2016
Iranian Poets
Ali Esfandiari (Nimayoshij)
The founder of modern Parsi poetry was born in the autumn of 1274 Khursidi in Yosh, a village in Mazandaran district. From 1317 to 1320, Nima was among the editorial board of “music magazine” and published his poems in it. During these years, the wave of opposition Fans of the old style in poetry, Bavi was raised, and in the midst of literature, the suffocation of the environment and literary tyranny, he was able to respond to the need of Taqi Rifat with innovation and novelty.
Nima passed away in 1338.
The position of Nima’s role (the effects and evolutions of the poem).
The coordinates of Nimai’s poems are based on the simplicity of the language and the infinite capacity of nature’s manifestations. In other words, Nimai’s morality, which means surrendering to the requirements of his linguistic age and going beyond the contemporary possibilities, was the true child of the revolution of his time.
With dogmatic determination, Nima understood the need for transformation and created a new form in the language of his poetry. And most importantly, he was able to tear down the fence of reaction in the air of new poetry so that in the light of the future of Nimai’s poetry and his followers, that theoretical wisdom of the new evolutionary process will continue to live.
Nima’s poetry breaks tradition and at the same time its foundation is based on ancient Persian poetry.
Nima’s role in the creation of Nora’s poetry can be examined in 2 aspects, form and content: the form aspect in which Nima uses three axes in order to be loyal to the weight of the poem, freeing the rhyme from the constriction that it had suffered in traditional poetry, and also the use of rhyme as a The musical rhythm of the poem is considered at the end of the paragraphs or lines of the poem and to make the work easier.
poetry notebooks;
The Pale Story (Tehran_1301)
Nima poem (Tehran_1301)
Soldier’s family (Khayyam_1305)
Hey Shab (Bahar newspaper_1310)
Afsana (20th century newspaper_1301)
Manly (Safi Alisha_1336)
Legends and quatrains (Coyhaan_1339)
Examples of Nimayoshij’s poetry (Jebi_1342)
Mach I (Shams_1344)
My poem (Jawaneh_1345)
Shahr Shab, Shahr Sobh (Pearl_1346)
Bell (Pearl_1346)
penman (Duniya_1349)
Other screams and colored spiders (Jawane_1350)
Water in the dormitory of the ants (Amir Kabir_1351)
Manly and Serivili House (Amir Kabir_1352)
A selection of poems (Marvarid_1370)
Collection of poems (see_1370)
Resources
Kimia and Khak (a treatise on the philosophy of literature
Reza Brahani_Nashrmorgh Amen Publications 1364
Analytical History of New Poetry, Shams Langroudi, Mohammad Taghi Javaheri (1378), Tehran, Central Publishing House, second edition, first volume
Romances/need Yaqobshahi_Tehran; Hirmand Publications, 1373
