Iranian Poets
Siavash Kasraei
Siavash Kasraei was a poet, writer, critic, painter and one of the founders of the Iranian Writers Association.
Collection of works and poems of Siavash Kasraei
Ava (1336)
Arash Kamangir (1338)
Blood of Siavash (1341)
Stone and Dew (1345)
with Damavand silent (1345)
From Qargh to Khoroskhan (1357)
Ax chips (1362)
Dawn Stars (1368)
Red bead (1374)
Siavash Kasarai, the singer of Arash Kamangir’s verse, is Nimai’s first epic poem. He was one of Nima Yoshij’s students who remained loyal to his style of poetry. Among the collection of surviving poems by Siavash Kasraei, we can mention the collection of poems Ava, Mehreh Red, In the Air of the Chicken, Amen, Gift for the Soil, Chips of the Ax, Home, with Silent Damavand and Siavash’s Blood.
Kasraei is a poet who deals with modernism in different fields and because he is considered a romanticist, he was able to link both individual and social trends to the new type of aesthetics.
The basis of his poems are expressions of imagination, love, nostalgia, as well as inspiration from mythology and idealism, which are combinations of the above two tendencies.
Resources
Kasraei, Siavash. 1382 c. Red bead Vienna: Kara, 1374. Reprinted, Tehran: Ketab Nader.
Abedi, Kamiar. 1379. The Great Shepherd of Hope: Review of the life and works of Siavash Kasraei. Tehran: Nader book.
Shafii Kodkani, Mohammad Reza. (1383). Periods of Persian poetry from constitutionalism to the fall of the monarchy. Tehran: Sokhn.
Brahni, Reza (1380). Gold in copper (in poetry). Tehran: Zaryab.
Iranian Poets
Forough Farrokhzad
Forough Farrokhzad (8 January 1313 – 24 February 1345) is an Iranian poet and documentary maker.
A collection of poems
1331 – Asir, including 43 poems
1335 – The wall, including 25 poems
1336 – Rebellion, including 17 poems
1341 – another birth, including 35 poems
1342 – Let’s believe in the beginning of the cold season
The style of Forough Farrokhzad’s poems
The discovery of new worlds with new dimensions of Forough Farrokhzad’s face makes him a universal human being and brings his poetry to the desired perfection. Farrokhzad published five books of poetry during his lifetime. Little by little, Forough got close to the world of Nimai’s poetry and put his poetry in the stage of evolution and drew him towards humane and thoughtful poetry, and at this time he wrote collections called “Captive, Divar and Asian” in the style of Nimai’s poetry.
In general, it can be said that Forough Farrokhzad influenced new Persian poetry with his innovation in style and theme and established his position as an outstanding poet in contemporary Iranian literature. Although Forough had a short life, he died at the age of 32 due to a car overturn.
Resources
Forough Farrokhzad- Shahnaz Moradi Kochi’s autobiography book – Ghatre publishing house
Forough Farrokhzad, The first romantic beats of my heart, translation, Marwarid Publications, 1393
Turabi, Ziauddin (1375). another forughi; A new look at Forough Farrokhzad’s poems. Tehran: New World Publication
The book I am nothing but the echo of a song: a philosophical reflection on Jahan Forough’s poetry and life, Mohammad Reza Vaez Shahrashtani, Negh Masares Publishing House
eza (1380). Gold in copper (in poetry). Tehran: Zaryab.
Iranian poets
Nosrat Rahmani (1379-1308) was one of the pioneers of the black romanticism poetry movement in contemporary Iran and one of the disillusioned intellectuals after the 28th August 2013 coup.
Nusrat Rahmani can be considered a poet who wrote social poetry based on romantic style. In fact, his style can be considered similar to the socialist romantic. Perhaps the most important reason for this social aspect of Nusrat Rahmani’s poems was the coup d’état on August 28, 1332, and the consequences and conditions of the society after that. During this period, all the intellectuals were under spiritual and political pressure. The poets of this period, who were from the generation of Nima Yoshiji, tried to write their thoughts in the form of symbolic poetry and in a mysterious way. They included their own situations and the society in their poetry, and perhaps that was the reason why most of the poems of this period are sad and dark poems.
Poetry notebooks
Koch (1333)
Desert (1334)
Cashew (1349)
Miad in the mud (1346)
Wind Fire (1349)
The reputation of love (1381)
and other collections
Novel: The Man Who Was Lost in the Dust (1338)
Nusrat Rahmani with a suitable skill, language
He used the street for poetry and it has multiple visual, emotional and musical abilities.
This type of language was not used at all and thus allowed the entry of a large volume of vocabulary.
They were left abandoned, they were exported to the realm of poetry.
The most prominent literary feature of Nusrat’s poems is “diagnosis” which has a high frequency. in poetry
Nusrat is less of a creature that does not have life. His characteristics, actions, and emotions
He attributes human beings to elements and inanimate beings, and also the paradoxical structures that show the inner contradiction of Nusrat, in his poems, are subject to the concepts of creation that govern the possibilities of discourse and the chaotic rules of his era.
Nusrat Rahmani, like many poets who had romantic tendencies, first wrote poems with individual tendencies and with themes such as love, but he was influenced by political and social events, so he put these themes aside and focused his poetry on human values and people’s issues. diverted Perhaps it is for this reason that when comparing Nusrat Rahmani’s poems in different times, we can witness many contradictions and contradictions, including general ideology and… Nusrat’s poetic path started with Ghazal and then reached Chaharpare and Nimai’s poetry.
Another theme that always exists from the beginning to the end of Nosrat Rahmani’s poetry is the theme of death and sadness. This longing for death and ongoing sadness in Nosrat Rahmani’s poems has philosophical, political and social roots that were created under the influence of his era. After the 1332 coup, Nusrat Rahmani also made many changes in his poetry. Symbolism can be clearly seen in his works. It was during this period that he paid attention to new poetry and even experienced new epic poetry.
Sources:
Culture of Contemporary Persian Literature, Vision of Contemporary Iranian Poetry
“Nosrat Rahmani’s” collection of poems, published by Negah About Nosrat Rahmani; Behzad Khojat
Iranian poets
Mahdi Akhwan Sales
Mahdi Akhwan sales (March 10, 1306 – September 4, 1369) named after M. Omid is a famous poet, writer and contemporary innovator.
The role of Akhwan in stabilizing poetry
Akhwan, after meeting Nima Yoshij
He turned to Nosraei and was able to incorporate Nimai’s poetry in an innovative way in the structure of his compositions, which he himself had a new and independent style.
Collection of notebooks
Winter (Time Publications) 1335
The end of the Shahnameh (time) 1338
From this Avesta (Pearl Publications) 1344
Manzumah Shekar (Pearl) 1345
Paiz in prison (Marvarid) 1348
In the small autumn yard in the prison, 1355
Mehdi Akhwan Thalath started his work in Khorasani style. Although he was born in Khorasan and fond of the heritage of ancient Persian literature, he soon found Nima’s way and as one of his most loyal companions with the publication of the “Zamestan” collection in 1335, he showed that he had achieved a new form of epic and social poetry and in the collection “Akher Shahnameh” showed his poetry and poetic spirit in the last years of his life. The solidity and heaviness of Khorasani’s poetry, his literary language, and in general, his rich allegory of old epic and mythological references and traditions, and the Brotherhood’s special interest in epic language and Ferdowsi’s thought, distinguish his poetic style.
The Akhwan’s inspiration from ancient poems and epic style, as well as Nimai’s style of poetry and the Akhwan’s mourning for the past, provided a special collection of the structure of his poems, which left an original impression on the contemporaries of the Akhwan and the generations after him. The semantic link between the elements of Nimai’s poem strengthened his poem.
By using the poetry of ancient poets as well as formal and verbal techniques, the rhetoric technique, the Brotherhood wrote their poems in a simple language in the form of new poetry and embedded human and global issues in them.
His art has been to give meaning to all the unbalanced elements, the speed of movement of the structure of the Akhwan’s poem on the epic and the compatibility of its content with Nimai’s style, actually determine the main coordinates of the worldview of the Akhwan.
Resources
Mehdi Akhvan the Third, Nimayoshij’s heresies and heresies, Toka Publishing House, Tehran, 1st edition 1357
Today’s art and literature, Shamlou Brahani, Nasser Hariri
Kimia and Khak, Nashermorgh Amin, 1364
Poetry and Knowledge, Ziyamo
had, Marwarid Publications, 1377
Iranian Poets
Hoshang irani
Hoshang Irani (1304 – ۱۴ Shahrivar 1352) was a leading contemporary poet, translator, and journalist, one of the pioneers of Persian surreal poetry and one of the first poets of prose poetry in Iran. other; Jalil Ziapour, Hassan Shirvani and Gholamhossein Gharib, with less than 40 poems and several articles, was able to be one of the pioneers of revolution in Iranian poetry and had a significant impact on the poetry of Sohrab Sepehari, Yadullah Royai, Ahmadreza Ahmadi and the new wave poetry.
Hoshang Irani was the most reckless and innovative poet of the late 1320s and the first years of the 1330s and the first herald of surrealism in Iranian poetry.
Collection of poetry books
Intense violet on gray: some poems, Tehran (publisher of the author), Shahrivar 1330
Gray: A Few More Poems, Tehran
(publisher of the author), Khordad 1331
A flame caught the curtain and Iblis came in: And again some poems, Tehran: (author’s publisher), November 1331
Now I’m thinking of you, I’m thinking of you, Tehran: [Bina], December 1334
Hoshang Irani is one of the most brilliant failed faces of Persian poetry. He was the first prose poet whose poetry was not influenced by Nima. Hoshang Irani along with Shamsuddin Tander-Kia and later Bijan Jalali were poets who started to innovate without knowing about Nima Yoshij’s work.
Apart from its qualitative value, his poetry had a different look at the inherent nature of this art. In his poetry, there is no mention of Nima’s naturalism, nor the idealism and politicization of many other poets. In terms of aesthetics, his aesthetics does not rely on the duality of good and bad, black and white, etc.; And this is the special feature of his poetry in the concept, which is rarely seen in the works of others.
Bringing poetry closer to prose, and removing the distinction between these two literary genres, was one of the main tricks in Hoshang’s Iranian poetry, which turned into a very natural and ordinary event a few decades later, but in the years 1330 and 1331, it was considered a bold literary revolution. It would be..
Resources
Gallery: From the collection of designs of the book “Chand Desan”, Tehran: [Bina], Ardibehesht 1331
The book “Purple Scream” is a selection of poems by Hoshang Irani, Mohammad Azram (2014)
A collection of poems and thoughts of Hoshang Irani
The book “From the bright blue…) 1330
Three speeches about Hoshang Irani, Mohammad Azram and Mehdi Atefi Rad, 20 December 2016
