Iranian Poets

Ahmed Shamlou (A. Bammad)

 is one of the distinguished and influential figures in the field of literature and culture. 

It is considered Iran.

Shamlu during his several years of life in addition to poetry collections 

that he left behind, he has done extensive research on public culture, which he 

He has collected the book “Koche”.  He also translated literature and other cultures 

Different nations entered and translated Fakheri’s works into Persian language.  One of the most important 

Ahmed Shamlou’s works in the field of literature define and explain the white form in poetry.  break up 

From the special form and format that Shamlu put forward in contemporary poetry, Hakem’s thought and thinking on poems 

He also deserves attention.  “His poem is the story of affection, despair and hope, love and hatred, sadness and 

Happiness is pain and hesitation and attack and escape.

poetry notebooks;

۲۳ Resolutions – irons and feeling – fresh air – mirror garden – Aida in the mirror – moments and always

Aida: Tree and Dagger and Memory – Phoenix in the Rain – Lamentations of the Soil – Blooming of the Derma – Abraham in the Fire – Dashneh in the Dis – Little Songs of Homelessness – Unbelievable, Ah! (which has not yet been published)

Stories:

Under the burning night

The gates of the Great Wall of China

Death is my business (Ruber Merle)

Poems and stories for children: The story of Nene Darya’s daughters – The story of the Gate of Fortune – The Queen of Shadows

Shalom and Sahabi style in Shaarnoo (Shaarspide)

Ahmed Shamlou is one of the few poets whose poems are from different linguistic layers 

It has a special expression and meaning.  So that by studying his poems with characteristics and 

We come across certain coordinates that are not seen in the poems of other contemporary poets. 

Taking advantage of the potentials of the epic and ancient Iranian language in his poems, taking advantage of the capacities 

colloquial language, turning to simple writing in the style of European poets, defining and explaining the format 

In the field of poetry, on the one hand, Sepid has caused his poetry to be different in terms of form and structure. 

to be distinguished and highlighted, on the other hand, along with the shape and format of his thoughts and thoughts that govern his poems 

It is also worthy of attention.  Dealing with various issues and topics that affect the life of Iranian people in a way 

It is tied to it

Ahmed Shamlou (A. Bammad) is considered one of the important and influential poets of contemporary Persian poetry. 

It will be  He has researched and written many works in various fields of Iranian culture and literature 

It has been edited.  It is clear that the role of fame and credibility of Asli (A. Bamdad) in his poetry is due to his creativity. 

style and language and attention to social and human issues.  Review of garlic 

The research of the article shows that at the beginning, Shamlu’s name was mentioned less among the critics 

But later on, with the formation of a special style (A. Bammad) in poetry, strengthening and coherence of the structure and meaning. 

His poems, tendency towards leftist and libertarian ideas and active presence in circles and gatherings. 

Iran’s intellectuals, Shamlu’s name is on everyone’s lips.  The mentioned factors have caused the researches 

More should be written with the aim of analyzing and examining the poet’s poems and personality.

Sources of Reza Brahani’s chemistry

Today’s art, literature, including Shamlu and Brahani

Romances, Hirmand Publications, Niazi Aqobshahi_1373

Brahni-Reza 2018, Taladar Mes/Zariab Publications

Analytical history of Shaarnou’s legitimacy of Takudata (1284-1332)

Examining and analyzing criticisms related to the poetry of Ahmad Shamlou, Balal Farzad

A quarterly scientific research journal of the Persian literary language

Mokhtari, Muhammad/Insan in contemporary poetry, Tous Publications, first edition 1372

Iranian Poets

Hoshang irani

Hoshang Irani (1304 – ۱۴ Shahrivar 1352) was a leading contemporary poet, translator, and journalist, one of the pioneers of Persian surreal poetry and one of the first poets of prose poetry in Iran.  other;  Jalil Ziapour, Hassan Shirvani and Gholamhossein Gharib, with less than 40 poems and several articles, was able to be one of the pioneers of revolution in Iranian poetry and had a significant impact on the poetry of Sohrab Sepehari, Yadullah Royai, Ahmadreza Ahmadi and the new wave poetry.

Hoshang Irani was the most reckless and innovative poet of the late 1320s and the first years of the 1330s and the first herald of surrealism in Iranian poetry.

Collection of poetry books

Intense violet on gray: some poems, Tehran (publisher of the author), Shahrivar 1330

Gray: A Few More Poems, Tehran

(publisher of the author), Khordad 1331

A flame caught the curtain and Iblis came in: And again some poems, Tehran: (author’s publisher), November 1331

Now I’m thinking of you, I’m thinking of you, Tehran: [Bina], December 1334

Hoshang Irani is one of the most brilliant failed faces of Persian poetry.  He was the first prose poet whose poetry was not influenced by Nima.  Hoshang Irani along with Shamsuddin Tander-Kia and later Bijan Jalali were poets who started to innovate without knowing about Nima Yoshij’s work.

Apart from its qualitative value, his poetry had a different look at the inherent nature of this art. In his poetry, there is no mention of Nima’s naturalism, nor the idealism and politicization of many other poets.  In terms of aesthetics, his aesthetics does not rely on the duality of good and bad, black and white, etc.;  And this is the special feature of his poetry in the concept, which is rarely seen in the works of others.

Bringing poetry closer to prose, and removing the distinction between these two literary genres, was one of the main tricks in Hoshang’s Iranian poetry, which turned into a very natural and ordinary event a few decades later, but in the years 1330 and 1331, it was considered a bold literary revolution.  It would be..

Resources

Gallery: From the collection of designs of the book “Chand Desan”, Tehran: [Bina], Ardibehesht 1331

  The book “Purple Scream” is a selection of poems by Hoshang Irani, Mohammad Azram (2014)

A collection of poems and thoughts of Hoshang Irani

The book “From the bright blue…) 1330

Three speeches about Hoshang Irani, Mohammad Azram and Mehdi Atefi Rad, 20 December 2016

Iranian Poets

Ali Esfandiari (Nimayoshij)

 The founder of modern Parsi poetry was born in the autumn of 1274 Khursidi in Yosh, a village in Mazandaran district. From 1317 to 1320, Nima was among the editorial board of “music magazine” and published his poems in it. During these years, the wave of opposition  Fans of the old style in poetry, Bavi was raised, and in the midst of literature, the suffocation of the environment and literary tyranny, he was able to respond to the need of Taqi Rifat with innovation and novelty.

 Nima passed away in 1338.

 The position of Nima’s role (the effects and evolutions of the poem).

 The coordinates of Nimai’s poems are based on the simplicity of the language and the infinite capacity of nature’s manifestations. In other words, Nimai’s morality, which means surrendering to the requirements of his linguistic age and going beyond the contemporary possibilities, was the true child of the revolution of his time.

 With dogmatic determination, Nima understood the need for transformation and created a new form in the language of his poetry.  And most importantly, he was able to tear down the fence of reaction in the air of new poetry so that in the light of the future of Nimai’s poetry and his followers, that theoretical wisdom of the new evolutionary process will continue to live.

 Nima’s poetry breaks tradition and at the same time its foundation is based on ancient Persian poetry.

 Nima’s role in the creation of Nora’s poetry can be examined in 2 aspects, form and content: the form aspect in which Nima uses three axes in order to be loyal to the weight of the poem, freeing the rhyme from the constriction that it had suffered in traditional poetry, and also the use of rhyme as a  The musical rhythm of the poem is considered at the end of the paragraphs or lines of the poem and to make the work easier.

 poetry notebooks;

  The Pale Story (Tehran_1301)

 Nima poem (Tehran_1301)

 Soldier’s family (Khayyam_1305)

 Hey Shab (Bahar newspaper_1310)

 Afsana (20th century newspaper_1301)

 Manly (Safi Alisha_1336)

 Legends and quatrains (Coyhaan_1339)

 Examples of Nimayoshij’s poetry (Jebi_1342)

 Mach I (Shams_1344)

 My poem (Jawaneh_1345)

 Shahr Shab, Shahr Sobh (Pearl_1346)

 Bell (Pearl_1346)

 penman (Duniya_1349)

 Other screams and colored spiders (Jawane_1350)

 Water in the dormitory of the ants (Amir Kabir_1351)

 Manly and Serivili House (Amir Kabir_1352)

 A selection of poems (Marvarid_1370)

 Collection of poems (see_1370)

 Resources

 Kimia and Khak (a treatise on the philosophy of literature

 Reza Brahani_Nashrmorgh Amen Publications 1364

 Analytical History of New Poetry, Shams Langroudi, Mohammad Taghi Javaheri (1378), Tehran, Central Publishing House, second edition, first volume

 Romances/need Yaqobshahi_Tehran;  Hirmand Publications, 1373