Mahdi Akhwan Sales
Mahdi Akhwan sales (March 10, 1306 – September 4, 1369) named after M. Omid is a famous poet, writer and contemporary innovator.
The role of Akhwan in stabilizing poetry
Akhwan, after meeting Nima Yoshij
He turned to Nosraei and was able to incorporate Nimai’s poetry in an innovative way in the structure of his compositions, which he himself had a new and independent style.
Collection of notebooks
Winter (Time Publications) 1335
The end of the Shahnameh (time) 1338
From this Avesta (Pearl Publications) 1344
Manzumah Shekar (Pearl) 1345
Paiz in prison (Marvarid) 1348
In the small autumn yard in the prison, 1355
Mehdi Akhwan Thalath started his work in Khorasani style. Although he was born in Khorasan and fond of the heritage of ancient Persian literature, he soon found Nima’s way and as one of his most loyal companions with the publication of the “Zamestan” collection in 1335, he showed that he had achieved a new form of epic and social poetry and in the collection “Akher Shahnameh” showed his poetry and poetic spirit in the last years of his life. The solidity and heaviness of Khorasani’s poetry, his literary language, and in general, his rich allegory of old epic and mythological references and traditions, and the Brotherhood’s special interest in epic language and Ferdowsi’s thought, distinguish his poetic style.
The Akhwan’s inspiration from ancient poems and epic style, as well as Nimai’s style of poetry and the Akhwan’s mourning for the past, provided a special collection of the structure of his poems, which left an original impression on the contemporaries of the Akhwan and the generations after him. The semantic link between the elements of Nimai’s poem strengthened his poem.
By using the poetry of ancient poets as well as formal and verbal techniques, the rhetoric technique, the Brotherhood wrote their poems in a simple language in the form of new poetry and embedded human and global issues in them.
His art has been to give meaning to all the unbalanced elements, the speed of movement of the structure of the Akhwan’s poem on the epic and the compatibility of its content with Nimai’s style, actually determine the main coordinates of the worldview of the Akhwan.
Resources
Mehdi Akhvan the Third, Nimayoshij’s heresies and heresies, Toka Publishing House, Tehran, 1st edition 1357
Today’s art and literature, Shamlou Brahani, Nasser Hariri
Kimia and Khak, Nashermorgh Amin, 1364
Poetry and Knowledge, Ziyamo
had, Marwarid Publications, 1377
