Iranian Poets
Hoshang irani
Hoshang Irani (1304 – ۱۴ Shahrivar 1352) was a leading contemporary poet, translator, and journalist, one of the pioneers of Persian surreal poetry and one of the first poets of prose poetry in Iran. other; Jalil Ziapour, Hassan Shirvani and Gholamhossein Gharib, with less than 40 poems and several articles, was able to be one of the pioneers of revolution in Iranian poetry and had a significant impact on the poetry of Sohrab Sepehari, Yadullah Royai, Ahmadreza Ahmadi and the new wave poetry.
Hoshang Irani was the most reckless and innovative poet of the late 1320s and the first years of the 1330s and the first herald of surrealism in Iranian poetry.
Collection of poetry books
Intense violet on gray: some poems, Tehran (publisher of the author), Shahrivar 1330
Gray: A Few More Poems, Tehran
(publisher of the author), Khordad 1331
A flame caught the curtain and Iblis came in: And again some poems, Tehran: (author’s publisher), November 1331
Now I’m thinking of you, I’m thinking of you, Tehran: [Bina], December 1334
Hoshang Irani is one of the most brilliant failed faces of Persian poetry. He was the first prose poet whose poetry was not influenced by Nima. Hoshang Irani along with Shamsuddin Tander-Kia and later Bijan Jalali were poets who started to innovate without knowing about Nima Yoshij’s work.
Apart from its qualitative value, his poetry had a different look at the inherent nature of this art. In his poetry, there is no mention of Nima’s naturalism, nor the idealism and politicization of many other poets. In terms of aesthetics, his aesthetics does not rely on the duality of good and bad, black and white, etc.; And this is the special feature of his poetry in the concept, which is rarely seen in the works of others.
Bringing poetry closer to prose, and removing the distinction between these two literary genres, was one of the main tricks in Hoshang’s Iranian poetry, which turned into a very natural and ordinary event a few decades later, but in the years 1330 and 1331, it was considered a bold literary revolution. It would be..
Resources
Gallery: From the collection of designs of the book “Chand Desan”, Tehran: [Bina], Ardibehesht 1331
The book “Purple Scream” is a selection of poems by Hoshang Irani, Mohammad Azram (2014)
A collection of poems and thoughts of Hoshang Irani
The book “From the bright blue…) 1330
Three speeches about Hoshang Irani, Mohammad Azram and Mehdi Atefi Rad, 20 December 2016
Iranian Poets
Ali Esfandiari (Nimayoshij)
The founder of modern Parsi poetry was born in the autumn of 1274 Khursidi in Yosh, a village in Mazandaran district. From 1317 to 1320, Nima was among the editorial board of “music magazine” and published his poems in it. During these years, the wave of opposition Fans of the old style in poetry, Bavi was raised, and in the midst of literature, the suffocation of the environment and literary tyranny, he was able to respond to the need of Taqi Rifat with innovation and novelty.
Nima passed away in 1338.
The position of Nima’s role (the effects and evolutions of the poem).
The coordinates of Nimai’s poems are based on the simplicity of the language and the infinite capacity of nature’s manifestations. In other words, Nimai’s morality, which means surrendering to the requirements of his linguistic age and going beyond the contemporary possibilities, was the true child of the revolution of his time.
With dogmatic determination, Nima understood the need for transformation and created a new form in the language of his poetry. And most importantly, he was able to tear down the fence of reaction in the air of new poetry so that in the light of the future of Nimai’s poetry and his followers, that theoretical wisdom of the new evolutionary process will continue to live.
Nima’s poetry breaks tradition and at the same time its foundation is based on ancient Persian poetry.
Nima’s role in the creation of Nora’s poetry can be examined in 2 aspects, form and content: the form aspect in which Nima uses three axes in order to be loyal to the weight of the poem, freeing the rhyme from the constriction that it had suffered in traditional poetry, and also the use of rhyme as a The musical rhythm of the poem is considered at the end of the paragraphs or lines of the poem and to make the work easier.
poetry notebooks;
The Pale Story (Tehran_1301)
Nima poem (Tehran_1301)
Soldier’s family (Khayyam_1305)
Hey Shab (Bahar newspaper_1310)
Afsana (20th century newspaper_1301)
Manly (Safi Alisha_1336)
Legends and quatrains (Coyhaan_1339)
Examples of Nimayoshij’s poetry (Jebi_1342)
Mach I (Shams_1344)
My poem (Jawaneh_1345)
Shahr Shab, Shahr Sobh (Pearl_1346)
Bell (Pearl_1346)
penman (Duniya_1349)
Other screams and colored spiders (Jawane_1350)
Water in the dormitory of the ants (Amir Kabir_1351)
Manly and Serivili House (Amir Kabir_1352)
A selection of poems (Marvarid_1370)
Collection of poems (see_1370)
Resources
Kimia and Khak (a treatise on the philosophy of literature
Reza Brahani_Nashrmorgh Amen Publications 1364
Analytical History of New Poetry, Shams Langroudi, Mohammad Taghi Javaheri (1378), Tehran, Central Publishing House, second edition, first volume
Romances/need Yaqobshahi_Tehran; Hirmand Publications, 1373
